![]() ![]() I cannot recommend this amp enough.ġx¼” input, ¼” + ⅛” aux input, 1x⅛” headphone output, 1x XLR line output, ¼” effects send + return, ¼” footswitch input, ¼” speaker output It does a great job with any style of music, and with an added external cabinet it can serve as your backline for any venue size.īottom Line: If you are looking for a powerful bass combo that can be used on stage as well as for band practice, the Rumble 500 is one of the best options out there. Target Customer: This is a powerful and flexible bass combo with a reasonable price tag. The 4-band EQ is flexible and versatile, with well-chosen frequency ranges. ![]() It features an overdrive circuit that lets you dial in your desired amount of overdrive while letting you mix it with your clean bass sound. Key Specs: The Rumble 500 delivers 350W to its two internal 10” Eminence speakers (500W with an external cabinet). If the Rumble 500 is too big for your needs, check out the rest of Fender’s Rumble series – they’ve got a combo for every occasion. The Rumble 500 delivers a very natural sound with a well-defined low-end and a punchy midrange, while the compression tweeter provides a crystal clear high-end. The preamp also features a 4-band EQ with a cut/boost function for Bass, Low Mid, High Mid, and Treble, plus 3 voicing push-buttons: Bright (treble boost), Contour (mid scoop), and Vintage (dynamic compression +low pass filter). There’s a foot-switchable overdrive circuit that lets you dial in anything from a light and creamy overdrive up to a heavily distorted tone. When looking over the control layout you’ll see just how versatile this amp claims to be. It boasts an amp with 500W of solid-state power driving two 10” Eminence speakers and a high-frequency tweeter. My Review: Fender’s Rumble series is probably one of the most successful combo ranges ever created and the Rumble 500 is its top dog. Markbass Micromark 801 (Best Practice Combo)ġx¼” input, 1x⅛” Aux input, 1x¼” Footswitch input, 1x ⅛” headphone output, 1x XLR DI output with ground lift switch, 2x¼” Effects send+return, 1x¼” ext speaker output Phil Jones Bass BG-400 Suitcase Compact (Editor's Choice)Ĥ. If you want to learn more about them before reading reviews, check our combo amp buying guide at the bottom of the page.ģ. If you are looking for versatility and portability, then a good bass combo amp is what you should get, and in this article, we’ll be reviewing the best bass combo amps at each price point. For band practice and rehearsing at home, there’s really nothing better than a nice quality combo amp. A combo with a decent power output will be your best friend for most gigging situations except, maybe the largest of venues or in outdoor settings, but you can get around this limitation by adding another cabinet to your setup. Here’s where the combo could be your best bet. Bass stacks are usually large in volume and weight, making them more cumbersome to lug around to gigs, and if you just want something to practice on at home they’re definitely not the best solution. You have the option of getting an amp and a separate cabinet, or you could get a bass combo. You’ve already got your bass, so now you need the right amp to let it truly shine. Gallien-Krueger is a registered trademark of Gallien Technology, Inc.Teletronix and LA-2A are registered trademarks of Universal Audio, Inc.For an electric bass player, there are two things that make up over 90 percent of your tone the bass that you play and the amp that you use to amplify your instrument. Sunn is a registered trademark of Fender Musical Instruments Corp.Īcoustic is a registered trademark of GTRC Services, Inc.Īmpeg, Portaflex, and SVT are registered trademarks of Loud Technologies, Inc. Orange is a registered trademark of Orange Brand Services Ltd.ĭarkglass and Microtubes are registered trademarks of Darkglass Electronics, TMI Douglas Castro. ![]() Supro is a registered trademark of Abasara Audio LLC. Matchless is a registered trademark of Matchless, LLC. Roland and Boss are registered trademarks of Roland Corp. Mesa/Boogie and Rectifier are registered trademarks of Mesa/Boogie Ltd.īogner is a registered trademark of Bogner Amplification.ĭunlop and MXR are registered trademarks of Dunlop Manufacturing, Inc. Marshall and JTM are registered trademarks of Marshall Amplification Plc.Įlectro-Harmonix and Big Muff are registered trademarks of New Sensor Corp. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6’s sound model development. * All product names used herein are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. ![]()
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